Jacek Doroszenko, portrait
photo by Ewa Doroszenko

Jacek Doroszenko

Visual and audio artist based in Warsaw PL. His artistic work involves mainly multimedia art, as well as music and audio phenomena.


  • 2002 – 2007 Painting, Academy of Fine Arts in Krakow,
  • Master of Fine Arts degree + multimedia and drawing supplement.

Art Residencies and grants

  • Artist-in-Residence: Petrohradská, Prague, 2018
  • Artist-in-Residence, Colony of Artists, Gdańsk, 2018
  • Artist-in-Residence, KKKC, Klaipėda, Lithuania, 2017
  • Stipend, Landeshauptstadt Linz, Austria, 2016
  • Artist-in-Residence, Atelierhaus Salzamt, Linz, Austria, 2016
  • Artist-in-Residence, The Island – Resignified, Lefkada, Greece, 2015
  • Artist-in-Residence, Kunstnarhuset Messen, Ålvik, Norway, 2015
  • Artist-in-Residence, Hangar, Barcelona, Spain, 2014
  • Scholarship of the City of Torun, 2011
  • Artist-in-Residence, Del Bianco Fondazione, Florence, Italy, 2006

Selected solo and duo exhibitions

  • How to travel, co-artist E. Doroszenko, Propaganda gallery, Warsaw (PL), 2019
  • Double speaker, co-artist E. Doroszenko, Exgirlfriend Gallery, Berlin (DE), 2018
  • Soundreaming, co-artist E. Doroszenko, JEDNA DVA TŘI Gallery, Prague (CZ), 2018
  • Bruit de rapé, co-artist E. Doroszenko, W Y Gallery, Łódź (PL), 2018
  • Polyphonic Body, Kolonia Artystów, Gdańsk (PL), 2017
  • Residents, Propaganda Gallery, Warsaw Gallery Weekend (PL), 2017
  • Natural potential, KKKC, Klaipėda (LT), 2017
  • Exercises of listening, Fait Gallery, Brno (CZ), 2016
  • Wozownia Gallery, Toruń (PL), 2015
  • Pineum, 81° Gallery, Warsaw (PL), 2013
  • Future sex based on Parade amoureuse by Francis Picabia, Spectra Art Space, Warsaw (PL), 2013
  • Tonopolis on tour, 81° Gallery, Warsaw (PL), 2013
  • Artifact Hunt, Wozownia Gallery of Art, Toruń (PL), 2013
  • Tonopolis. Practical activities, co-artist E. Doroszenko, Centre of Contemporary Art, Toruń (PL), 2012
  • Hemel, Gallery Program, Warsaw (PL), 2012
  • Time capsule, Pauza Gallery, Kraków (PL), 2011
  • Structures of Forgetfulness, CK Agora, Wrocław (PL), 2011
  • Aesthetic Interface for Memory, Wozownia Gallery of Art, Toruń (PL), 2009
  • Aesthetic Interface for Memory, CBA, Warsaw (PL), 2009
  • From the Behringer’s catalogue, Debut Gallery, Bydgoszcz (PL), 2008
  • Aleatorics, 011 Gallery, Torun (PL), 2008

Selected group exhibitions and festivals

  • The Wrong New Digital Art Biennale, curated by Gabriela Maciel & João Vergara, Cidade das Artes, Rio de Janeiro (BR), 2018
  • Cover awARTs, best Polish album covers, Rondo Sztuki, Katowice (PL), 2018
  • CoCArt Festival, video screening, Centre of Contemporary Art, Toruń (PL), 2017
  • The Drawers vol. 2, Kasia Michalski Gallery, Warsaw (PL), 2016
  • International Film Shorts #fetwwl, The Herbert Art Gallery & Museum, Coventry (UK), 2016
  • Transmission Arts Festival, Athens (GR), 2016
  • GENERATE! Festival for Electronic Arts, Shedhalle Tübingen, Tübingen (DE), 2015
  • The Island – Resignified, Lefkada (GR), 2015
  • Interference Festival, Gdansk Shipyard, Gdańsk (PL), 2015
  • Re – Akcje, BB Gallery, Kraków (PL), 2015
  • Proyector Festival, Matadero, Madrid, 2015
  • Magmart Festival, Casoria Contemporary Art Museum, Napoli (IT), 2015
  • ISEA International Symposium on Electronic Art, Goldcorp Centre for the Arts, Vancouver (CA), 2015
  • 11th Athens Digital Arts Festival, Historic Centre of Athens (GR), 2015
  • 7th INCUBARTE International Art Festival, Valencia (ES), 2015
  • 9 FESTIVAL IN OUT, Laznia Centre for Contemporary Art, Gdańsk (PL), 2015
  • FILE 2015, Electronic Language International Festival, FIESP Cultural Center – Ruth Cardoso, Sao Paulo (BR), 2015
  • European Media Art Festival, Osnabrück (DE), 2015
  • R>>EJECT Radicals Festival, R>>EJECT Homebase, Rotterdam (NL), 2015
  • USB-Shuffle-Show, Institut für Alles Mögliche, Berlin (DE), 2015
  • Festival Nomade – Cinema section, Montréal (CA), 2015
  • We Have Never Been Modern: An International Experimental Film and Video Exhibition, Dope Chapel, Norman (US), 2014
  • Biennale of Digital & Internet Art #nfcdab, Wrocław (PL), 2014
  • Ephemeros, Cellar Gallery, Kraków (PL), 2013
  • 27th Days of Modern Art, Bialystok Cultural Centre, Białystok (PL), 2012
  • Field of Vision Festival, Centre of Contemporary Art, Toruń (PL), 2010
  • BWScustoms, 13 Gallery, Toruń (PL), 2010
  • Future Places Festival, Porto (PT), 2009
  • International Festival of Visual Arts inSPIRACJE, Willa Lentza, Szczecin (PL), 2009
  • Survival Art Festival, co-artist M. Sipiora, Wroclaw (PL), 2008
  • Re:visions Festival, the Palace of Culture and Science, Warsaw (PL), 2008
  • 1st Contemporary Art Fair in Krakow, Kraków (PL), 2007
  • Unisex, co-artist M. Sipiora, Enter Gallery, Poznań (PL), 2007
  • Diplomas 2007, Palace of Art, Kraków (PL), 2007
  • The Bridge of Art, Youngs Gallery, Warsaw (PL), 2007
  • Puma Ball & Artists, City Hall, Kraków (PL), 2006
  • Puma Ball & Artists, Krakauer Haus, Nürnberg (DE), 2006


  • Āmurs, as Mammoth Ulthana, MCK, 2018
  • Wide Grey, Eilean Records, 2017
  • Soundreaming, Audiobulb Records, 2017
  • Useful Remnants, self-release, 2016
  • Particular Factors, as Mammoth Ulthana, Zoharum, 2016
  • Mammoth Ulthana, as Mammoth Ulthana, Zoharum, 2013
  • Nocturnes Online, City of Toruń, 2011

Artist’s statement

The core of my practice is to treat sound phenomena as the legitimate material of a field of visual art and highlight listening as a practice. In everyday life, most of sound goes unnoticed because we are really not listening to it. Listening begins when we become conscious of sound and focus on this sense. My practice engages with the contemporary soundscape to select and rephrase the notion of noise as the unwanted element. I use a wide array of processes including installation, field recording, video, music score concepts and drawing, depending on context. I use the audible sphere to manipulate attention of viewers and listeners, challenging their preconceptions.