Jacek Doroszenko photo by Ewa Doroszenko
photo by Ewa Doroszenko

Jacek Doroszenko

Visual and audio artist based in Warsaw PL. His artistic work involves mainly multimedia art, as well as music and audio phenomena.


  • 2002 – 2007 Painting, Academy of Fine Arts in Krakow,
  • Master of Fine Arts degree + multimedia and drawing supplement.

Art Residencies and grants

  • Scholarship, Ministry of Culture and National Heritage, Poland, 2020
  • Artist-in-Residence: Petrohradská, Prague, 2018
  • Artist-in-Residence, Colony of Artists, Gdańsk, 2018
  • Artist-in-Residence, KKKC, Klaipėda, Lithuania, 2017
  • Scholarship, Landeshauptstadt Linz, Austria, 2016
  • Artist-in-Residence, Atelierhaus Salzamt, Linz, Austria, 2016
  • Artist-in-Residence, The Island – Resignified, Lefkada, Greece, 2015
  • Artist-in-Residence, Kunstnarhuset Messen, Ålvik, Norway, 2015
  • Artist-in-Residence, Hangar, Barcelona, Spain, 2014
  • Scholarship of the City of Torun, Poland, 2011
  • Artist-in-Residence, Del Bianco Fondazione, Florence, Italy, 2006

Selected solo and duo exhibitions

  • How to travel, co-artist E. Doroszenko, Propaganda gallery, Warsaw (PL), 2019
  • Double speaker, co-artist E. Doroszenko, Exgirlfriend Gallery, Berlin (DE), 2018
  • Soundreaming, co-artist E. Doroszenko, JEDNA DVA TŘI Gallery, Prague (CZ), 2018
  • Bruit de rapé, co-artist E. Doroszenko, W Y Gallery, Łódź (PL), 2018
  • Polyphonic Body, Kolonia Artystów, Gdańsk (PL), 2017
  • Residents, Propaganda Gallery, Warsaw Gallery Weekend (PL), 2017
  • Natural potential, KKKC, Klaipėda (LT), 2017
  • Exercises of listening, Fait Gallery, Brno (CZ), 2016
  • Wozownia Gallery, Toruń (PL), 2015
  • Pineum, 81° Gallery, Warsaw (PL), 2013
  • Future sex based on Parade amoureuse by Francis Picabia, Spectra Art Space, Warsaw (PL), 2013
  • Tonopolis on tour, 81° Gallery, Warsaw (PL), 2013
  • Artifact Hunt, Wozownia Gallery of Art, Toruń (PL), 2013
  • Tonopolis. Practical activities, co-artist E. Doroszenko, Centre of Contemporary Art, Toruń (PL), 2012
  • Hemel, Gallery Program, Warsaw (PL), 2012
  • Time capsule, Pauza Gallery, Kraków (PL), 2011
  • Structures of Forgetfulness, CK Agora, Wrocław (PL), 2011
  • Aesthetic Interface for Memory, Wozownia Gallery of Art, Toruń (PL), 2009
  • Aesthetic Interface for Memory, CBA, Warsaw (PL), 2009
  • From the Behringer’s catalogue, Debut Gallery, Bydgoszcz (PL), 2008
  • Aleatorics, 011 Gallery, Torun (PL), 2008

Selected group exhibitions and festivals

  • Upcoming: In-sonora festival, Madrid (ES), 2022
  • 7 Mediations Biennale Polska, Events Horizon, Varso Place, Warszawa (PL), 2020
  • Open Source Art Festival – Chaos, Państwowa Galeria Sztuki, Sopot (PL), 2020
  • The Wrong New Digital Art Biennale, curated by Gabriela Maciel & João Vergara, Cidade das Artes, Rio de Janeiro (BR), 2018
  • Cover awARTs, best Polish album covers, Rondo Sztuki, Katowice (PL), 2018
  • CoCArt Festival, video screening, Centre of Contemporary Art, Toruń (PL), 2017
  • The Drawers vol. 2, Kasia Michalski Gallery, Warsaw (PL), 2016
  • International Film Shorts #fetwwl, The Herbert Art Gallery & Museum, Coventry (UK), 2016
  • Transmission Arts Festival, Athens (GR), 2016
  • GENERATE! Festival for Electronic Arts, Shedhalle Tübingen, Tübingen (DE), 2015
  • The Island – Resignified, Lefkada (GR), 2015
  • Interference Festival, Gdansk Shipyard, Gdańsk (PL), 2015
  • Re – Akcje, BB Gallery, Kraków (PL), 2015
  • Proyector Festival, Matadero, Madrid, 2015
  • Magmart Festival, Casoria Contemporary Art Museum, Napoli (IT), 2015
  • ISEA International Symposium on Electronic Art, Goldcorp Centre for the Arts, Vancouver (CA), 2015
  • 11th Athens Digital Arts Festival, Historic Centre of Athens (GR), 2015
  • 7th INCUBARTE International Art Festival, Valencia (ES), 2015
  • 9 FESTIVAL IN OUT, Laznia Centre for Contemporary Art, Gdańsk (PL), 2015
  • FILE 2015, Electronic Language International Festival, FIESP Cultural Center – Ruth Cardoso, Sao Paulo (BR), 2015
  • European Media Art Festival, Osnabrück (DE), 2015
  • R>>EJECT Radicals Festival, R>>EJECT Homebase, Rotterdam (NL), 2015
  • USB-Shuffle-Show, Institut für Alles Mögliche, Berlin (DE), 2015
  • Festival Nomade – Cinema section, Montréal (CA), 2015
  • We Have Never Been Modern: An International Experimental Film and Video Exhibition, Dope Chapel, Norman (US), 2014
  • Biennale of Digital & Internet Art #nfcdab, Wrocław (PL), 2014
  • Ephemeros, Cellar Gallery, Kraków (PL), 2013
  • 27th Days of Modern Art, Bialystok Cultural Centre, Białystok (PL), 2012
  • Field of Vision Festival, Centre of Contemporary Art, Toruń (PL), 2010
  • BWScustoms, 13 Gallery, Toruń (PL), 2010
  • Future Places Festival, Porto (PT), 2009
  • International Festival of Visual Arts inSPIRACJE, Willa Lentza, Szczecin (PL), 2009
  • Survival Art Festival, co-artist M. Sipiora, Wroclaw (PL), 2008
  • Re:visions Festival, the Palace of Culture and Science, Warsaw (PL), 2008
  • 1st Contemporary Art Fair in Krakow, Kraków (PL), 2007
  • Unisex, co-artist M. Sipiora, Enter Gallery, Poznań (PL), 2007
  • Diplomas 2007, Palace of Art, Kraków (PL), 2007
  • The Bridge of Art, Youngs Gallery, Warsaw (PL), 2007
  • Puma Ball & Artists, City Hall, Kraków (PL), 2006
  • Puma Ball & Artists, Krakauer Haus, Nürnberg (DE), 2006


  • Infinite Values, Time Released Sound, USA, 2020
  • Exhibition #100, Audiobulb Records, UK, 2020
  • eilean 100, Eilean Records, FR, 2019
  • Āmurs, as Mammoth Ulthana, MCK PL, 2018
  • eilean 58, Eilean Records, FR, 2017
  • Wide Grey, Eilean Records FR, 2017
  • Soundreaming, Audiobulb Records UK, 2017
  • Useful Remnants, self-release PL, 2016
  • Particular Factors, as Mammoth Ulthana, Zoharum PL, 2016
  • Mammoth Ulthana, as Mammoth Ulthana, Zoharum PL, 2013
  • Nocturnes Online, City of Toruń PL, 2011

Jacek Doroszenko is an audiovisual artist living in Warsaw, Poland. His artistic activity includes mainly multimedia art, as well as music and audio phenomena. The core of his activity is treating sound phenomena as legitimate material in the field of visual art and emphasizing the value of listening as a practice. In everyday life most of the sound goes unnoticed because we do not really listen to it. Listening begins when we become sound conscious and focus on this sense. The artist uses a wide range of processes, including sound installations, field recordings, video, music score concepts, depending on the context. His practice focuses on using the contemporary sound landscape to select and redefine the notion of noise and malfunction as an undesirable factor.